Simplicity and easily-relatable characters are two of the elements that Hwang believes have helped “Squid Game” succeed abroad. But I found the games too complex, and for my own work focused instead on using kids’ games.” “When I started, I was in financial straits myself and spent much time in cafes reading comics including ‘Battle Royale’ and ‘Liar Game.’ I came to wonder how I’d feel if I took part in the games myself. “I freely admit that I’ve had great inspiration from Japanese comics and animation over the years,” he said. So, Hwang is quietly peeved to find himself accused of borrowing too much from other survival genre films “Hunger Games,” “Battle Royale” and, in particular, 2014 Japanese film “As the Gods Will” by shock-meister Miike Takashi.īut Hwang brushes off the criticism by referring to his notes for the project, originally conceived as a feature film, in 2008. And, in between, Hwang was called in as the final screenwriter and director of nostalgic musical comedy “Miss Granny.” It is not only one of the most successful Korean films of all times, but has also been localized and remade in seven other countries, including China and Japan. He wrote and directed 2011 sexual abuse film “Silenced,” adapted and directed historical actioner “The Fortress” in 2017.
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